The coal industry features prominently, on the third Blue Horses album, providing a provocative escape from the blood n'
thunder black leather image which has threatened to submerge them. There's still plenty here in the direct electric folk tradition
of the "70s, if nothing as extreme as the Led Zeppelin references, but 'Dragons Milk...' opens with celestial harp and develops
into an encouragingly balanced mixture of knees-up fiddle "n" drums showcases and strong emotive songs with thoughtful lyrics.
The opening title song tells the story of singer Lizzy Prendergast's grandad, Mining Song is a moving acoustic song about
the last ever shift at Abertridwr Colliery, and if any further evidence is needed of their growing maturity it's provided
by the ghostly war imagery of In Flanders Fields which persists long after the CD has ended.
All this, an inventive arrangement of Barbara Allen and a couple of particulary compelling hoolies of their own, Witches
and Rabbits In The Headlights, and you have a highly persuasive album that should decimate some of the more negative preconceptions
that may have been ignited by Cracking Leather Skin and Bone and the pagan rock descriptions it evoked.
- a review by Colin Irwin of fRoots Magazine.
October 1999
Line-up
- Liz Prendergast / lead vocal, electric violin,
electric Celtic harp, space-mandolin, synthesizers
- Nic Waulker / drums, programming, arrangments
- Em Grainger / electric violin, vocals
- Rob Khoo / bass guitar, electric guitar,
backing vocals, piano
- Martin Standing / electric guitars
guest Deborah Peake / electric violin
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Native Spirit NSBHCD003 1999 |
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Dragons Milk and Coal
D'ya/Liberty
Barbara Allen
Rabbit in the Headlights
Goodbye
Old Haslams Bits
Witch in Wedlock
Passer By
Dark Circle (slight return)
+ Secret Track.
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