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Blue Horses

Watching The Dark
Celtic Moon Rising
Sweeney's Men
Sweeney's Men 1968
Bagpipes and Other Incendinary Devices
Máire Ni Chathasaigh
Old Bridge Music
Celtic Women in Music
The Harp
Loreena McKennitt
The Visit
The Mask and The Mirror
The Book of Secrets
Blue Horses
Dragons Milk and Coal
Ten Leagues Beyond The Wild Worlds End
Folk On The Water
Harvest Storm
A Sense Of Place
Shapes On The Landscape
Dorset Cursus
Wayland's Smithy
Maiden Castle Hill Fort
Expansion of The Celts
Cara Dillon
The Streets Of Derry
The Road Less Traveled
Wild Welsh Women
Isle of Môn
Death of the King's Canary
Siân Phillips, the Welsh Fiddler
Julie Fowlis
mar a tha mo chridhe (as my heart is)
Clan Wallace

Bored with the humourless up-it's-arse drivel that's pretty much killed off rock music over the last 20 years? You need a bloody good dose of Blue Horses.

Formed in the mid 1990's, Bluehorses are fronted by founder and lead singer Irish/Welsh Gothess Lizzy Prendergast’s electric violin, electric Celtic harp, space-mandolin and synthesizer and led by her co-founder and co-songwriter Nic Waulker

Nics' ferociously precise drums are joined by the thundering bass of Nathan Waulker and guitar histrionics from Jay MacDonald, producing a serious noise in a contemporary but classic rock mould. Fusing the passionate intensity of Celtic themes, a heavy rock and roll mindset and stunning improvisations makes Bluehorses' music uniquely,er... unique!

Lizzie Prendergast
Lizzie Prendergast

Electric Violin: Bridge - 5-string Carbon Fibre (Endorsee)

Carbon Fibre Bow

Electric Violin: Starfish - Skeletal wood - early prototype

Camac Baby Blue electric Celtic harp

Fender 'Mandocaster' style 4-string Electric Mandolin

Various Synths

Hughes and Ketner Combo (with Blue Lights!!)

Marshal Combo

Boss GT8 effects floorboard

Digitech Whammy effects pedal

Celtic Moon is
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